OCER 5960 - Screenwriting between reality and fiction
OCER 5960 · Semestre d'automne 2026-2027
- Langue d'enseignement
- English
- Type d'enseignement
- Cours séminaire
- Nombre d'heures
- 20
- Crédits
- 2
Informations
Descriptif
This course explores the shifting boundaries between reality and fiction in contemporary cinematic writing. Through screenings, theoretical inputs, and workshops, students will examine how film and documentary practices construct the real. Special attention will be given to the impact of AI on image production and perception. Students will develop an original screenplay (fiction or documentary), integrating field research as a core creative component. The course combines analytical reflection with hands-on writing practice, encouraging a critical and situated approach to audiovisual storytelling.
Pré-requis
Basic knowledge of film language and narrative structures is recommended. Students should have an interest in cinema, storytelling, or audiovisual culture. No technical filmmaking skills are required, but active participation in discussions, screenings, and field research is expected. Familiarity with contemporary media and visual culture will be an asset.
Format pédagogique
The course is structured around lectures, film screenings, and the development of an individual project. Students will receive regular one-to-one tutoring focused on the progression of their screenplay. Collective sessions will alternate between theoretical inputs and discussions, while screenings will support the critical framework of the course. The emphasis is placed on the gradual construction of a personal writing project integrating field research.
Mode de validation
Continuous assessment based on participation, in-class exercises, and development of a final short screenplay (fiction or documentary) incorporating field research. Final evaluation includes the written project and its presentation. Active engagement throughout the course is required.
The course will be "pass" or "fail". The validation of the course will be based on class participation, timely compliance with deadlines and overall quality of the involvement in the writing assignments.
Charge de travail
Active participation in weekly classes (screenings, lectures, workshops) is required. Students are expected to conduct independent field research, complete reading and viewing assignments, and progressively develop a screenplay (fiction or documentary).
Lectures
Lectures principales 5
-
Errance, Raymond Depardon
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Moviemakers' Master Class Private Lessons from the World's Foremost Directors, Laurent Tirard
-
Réalité/Fiction. L’empire du faux, François Jost
-
Threads of time : recollections, Peter Brook
-
Une certaine tendance du cinéma documentaire, Jean-Louis Comolli
Unités pédagogiques
| N° d'UP | Type d'UP | Unités pédagogiques | Enseignants | Nombre d'heures | Crédits |
|---|---|---|---|---|---|
| 19935 | Cours séminaire | Screenwriting between reality and fiction | Sebastiano D'AYALA VALVA | 20 | 2 |
Enseignants
- Sebastiano D'AYALA VALVA
Dans les maquettes
- Maison des Arts et de la Création, semestre d'automne 2026-2027MAISON DES ARTS ET DE LA CREATION (COLLÈGE MASTERS)
Contacts et ressources
- Contact pédagogique
- CENTRE d'écriture