BART 97A94 - Feminist Graphic Design
BART 97A94 · Semestre de printemps 2025-2026
- Langue d'enseignement
- English
- Type d'enseignement
- Atelier artistique du Collège
- Nombre d'heures
- 24
- Crédits
- 3
Informations
Descriptif
The workshop offers a critical exploration of graphic art, highlighting the political ideologies (patriarchal and colonial) that have shaped how we see and represent. The teaching of graphic rules is accompanied by a deconstruction of the political assumptions underlying them, enabling students to become aware of the cultural meanings behind the techniques and aesthetic norms they use. Following the example of artists who have sought to move beyond academic methods, students are encouraged to develop a reflective and inventive practice.
In the second part of the semester, students are guided in creating a graphic work on the feminist issue of their choice. This approach focuses on personal expression: it is about constructing an artwork based on stories, images, and issues that resonate with them personally. In other words, it is about starting to make one’s voice heard.
Academic expectations
- Acquire a critical awareness of the political foundations of academic graphic design
- Begin to explore a personal and engaged artistic practice
Format pédagogique
Session 1. : Introduction to Feminist Graphic Design
Session 2. : Deconstruction of Morphology
Exercise: Morphology (sketches from models and photographies) - pencils
Session 3. : Speaking Postures
Exercise: Speaking Postures (quick sketches from models and photographies) - ink and paint
Session 4. : Archetypes
Exercise: the feminine archetypes - the synthesis in graphic art - colours
Session 5. : Spaces Beyond the Eye
Exercise1: Drawing in perspective - pencil
Exercise2: Sensitive maps - colours
Session 6. : A Sensitive Body
Exercise: Self-portrait - free technique
Session 7. : Type Design
Exercise: Designing a poster - Canva (on computer)
Session 8. : Final Artwork : Introduction
Session 9. : Final Artwork : Stories
Session 10. : Final Artwork : Figures
Session 11. : Final Artwork : Layout
Delivery of the final artwork at the end of the session
Session 12. : General debrief and conclusion on feminist graphic design
Mode de validation
- Final Artwork (individual grade) – 70% of final grade
Throughout the second part of the semester, you will have to produce a graphic artwork on a choosen issue.
- Five exercises (individual grade) : Morphology, Speaking Postures, Archetypes, Spaces, Sensitive Body – 20% of final grade
- Participation (individual grade) – 10% of final grade
Late work policy
Little malus on the grade (-0,5).
Late arrival policy
You will join the ongoing exercise.
Lectures
Lectures principales 1
-
Bourdieu, Pierre. Masculine Domination. Translated by Richard Nice. Stanford, CA: Stanford University Press, 2001.
Lectures secondaires 4
-
Circlude, Camille. La Typographie post-binaire : au-delà de l’écriture inclusive. Paris : Éditions B42, 2023. (no English translation for now)
-
Merchant, Carolyn. The Death of Nature: Women, Ecology, and the Scientific Revolution. San Francisco: Harper & Row, 1980.
-
Viveiros de Castro, Eduardo. From the Enemy's Point of View: Humanity and Divinity in an Amazonian Society. Translated by Catherine V. Howard. Chicago: University of Chicago Press, 1992.
-
Zhong Mengual, Estelle. Apprendre à voir : Le point de vue du vivant. Arles : Actes Sud, 2022. (no English translation for now)
Unités pédagogiques
| N° d'UP | Type d'UP | Unités pédagogiques | Enseignants | Nombre d'heures | Crédits |
|---|---|---|---|---|---|
| 58243 | Atelier artistique du Collège | Feminist Graphic Design | Estelle CHAUVARD | 24 | 3 |
Enseignants
- Estelle CHAUVARD
Dans les maquettes
- ARTS WORKSHOPS SPRING Semester 2025-2026COLLÈGE UNIVERSITAIRE - CAMPUS REIMS
- EXCHANGE PROGRAMME - SPRING Semester 2025-2026COLLÈGE UNIVERSITAIRE - CAMPUS REIMS
Contacts et ressources
- Contact pédagogique
- VEZINAUD Anne