BART 97A60 - Performing American Literature on stage: Intersecting Theater, Music and Live Cinema
BART 97A60 · Semestre de printemps 2025-2026
- Langue d'enseignement
- English
- Type d'enseignement
- Atelier
- Nombre d'heures
- 24
- Crédits
- 3
Informations
Descriptif
This workshop will propose to explore the literature of an American contemporary author, through a wide
diversity of works (novels, short stories, poetry, screenplays, film adaptations, theatrical adaptations,...)
From these literary works (and the societal and emotional themes that emerge from them), the students will
propose an adaptation of one (or more) work(s) for the stage, integrating the various scenic tools (music, video,
sound design, photography, stage design, etc.), and through a personal and sensible creative work. (Personal
writings, drawings, recording, composing,...)
Students will also discover the different theater professions and the production process for a theatrical creation.
The students will work individually and collectively, by bringing together their different skills and artistic
sensibilities, to create a final project.
Academic expectations
This workshop offers students:
- to discover a unique contemporary literary landscape.
- to share a sensitive and personal analysis of this literature.
- to translate this impression artistically according to their personal skills
- to discover the possible adaptations (theater, music, cinema, visual arts)
- to develop and guide personal skills (acting, directing, dancing, singing, composition, visual/sound creation,
etc.) as part of a stage creation project.
Pré-requis
None
Format pédagogique
4 sessions dedicated to the discovery of the literary works, their adaptation into a performance, and the
discovery of stage medias and tools (music edition or creation, camera frame, plastic creation, stage design,
light design, video/audio design,...)
8 sessions will be dedicated to the collective work, based on the rehearsals and the stage adaptation of the
chosen text.
The 12th and final session will be dedicated to the final presentation of each performance. (audience
allowed)
Mode de validation
Grading criteria
Personal grade (30%) : attendance / personal assignments / relevance of work and artistic choices / quality
of presentation in class / ability to use personal skills (writing, drawing, videography, photography, singing,
dancing, etc.) to analyze a work or to present it in front of an audience.
Collective grade (30%) : relevance of collective artistic choices / quality of presentation in class / ability to
work collectively around a common creative project / (autonomy, adaptation, time management,
implementation of each person's skills, complementarity, arbitration of artistic choices)
Late work policy
Any late work will affect student’ personal grade.
Late arrival policy
Any late arrival will affect student’ participation grade.
Lectures
Unités pédagogiques
| N° d'UP | Type d'UP | Unités pédagogiques | Enseignants | Nombre d'heures | Crédits |
|---|---|---|---|---|---|
| 54955 | Atelier | Performing American Literature on stage: Intersecting Theater, Music and Live Cinema | Simon MAUCLAIR | 24 | 3 |
| 56094 | Atelier | Performing American Literature on stage: Intersecting Theater, Music and Live Cinema | Simon MAUCLAIR | 24 | 3 |
Enseignants
- Simon MAUCLAIR
Dans les maquettes
- ARTS WORKSHOPS SPRING Semester 2025-2026COLLÈGE UNIVERSITAIRE - CAMPUS REIMS
- EXCHANGE PROGRAMME - SPRING Semester 2025-2026COLLÈGE UNIVERSITAIRE - CAMPUS REIMS
Contacts et ressources
- Contact pédagogique
- VEZINAUD Anne