BMET 27A41 - Comparative Inquiry in the Humanities

BMET 27A41 · Fall semester 2026-2027

Language of tuition
English
Course type
Atelier
Number of hours
24
Credits
3

Information

Description

This course introduces the methods and debates that shape comparative inquiry in the Anglophone humanities. Through key texts in cultural and political theory, weekly topics investigate how the practice of comparison comes into play in staking claims to “universal structures,” transnational solidarities or impossibilities of interpretation. What kind of knowledge is produced through comparison and its methods? How do practices of analogy, juxtaposition, and differentiation reveal—or problematically obscure— relationships across social, political, and cultural contexts? Drawing on work in comparative literature, history and philosophy, weekly readings and discussions explore the possibilities and limits of the comparative method. This course aims to familiarize students with Western methods in the humanities insofar as to prepare them to undertake research in more advanced courses on politics, literature and cultural studies.

Learning Outcomes :

By the end of this course, students can expected to be able to:

  • Analyze texts, images, performances, and other cultural objects through close observation and interpretation.
  • Apply comparative methods to identify meaningful relationships among diverse cultural forms. • Use theoretical and methodological concepts to support the analysis of specific objects and cases. • Develop clear and persuasive written arguments grounded in textual and cultural evidence. • Engage critically with assigned readings through annotation, reflection, and discussion. • Communicate complex ideas effectively through oral presentation and collaborative exchange. • Conduct an independent research project in the humanistic tradition that demonstrates analytical rigor and effective use of sources.

Assessment

Attendance and participation15%
Midterm exam (“close reading”)20%
Weekly annotation of texts20%
Oral presentation on comparative form20%
Final project25%

Readings

Main readings 1

  1. ▪ Benedict Anderson. "Frameworks of Comparison." London Review of Books 38 (2, 2016): 15-8. ▪ Jacques Derrida, Monolingualism of the Other: or, The Prosthesis of Origin, trans. Patrick Mensah. Stanford: Stanford University Press, 1998. Selections from the text.

Further readings 2

  1. ▪ Harold Bloom. “The Breaking of Form” in Deconstruction and Criticism. New York: The Seabury Press, 1979. 1-39.

  2. ▪ Viktor Shklovsky. “Art as Technique” (1917)

Teaching units

Unit no.Unit type Teaching unitsTeachers Number of hoursCredits
20620Atelier Comparative Inquiry in the Humanities Aden SOLWAY243

Teachers

  • Aden SOLWAY

In the curricula

Contacts and resources

Contact
GUIBORAT Célia