OCER 5960 - Screenwriting between reality and fiction

OCER 5960 · Fall semester 2026-2027

Language of tuition
English
Course type
Cours séminaire
Number of hours
20
Credits
2

Information

Description

This course explores the shifting boundaries between reality and fiction in contemporary cinematic writing. Through screenings, theoretical inputs, and workshops, students will examine how film and documentary practices construct the real. Special attention will be given to the impact of AI on image production and perception. Students will develop an original screenplay (fiction or documentary), integrating field research as a core creative component. The course combines analytical reflection with hands-on writing practice, encouraging a critical and situated approach to audiovisual storytelling.

Prerequisites

Basic knowledge of film language and narrative structures is recommended. Students should have an interest in cinema, storytelling, or audiovisual culture. No technical filmmaking skills are required, but active participation in discussions, screenings, and field research is expected. Familiarity with contemporary media and visual culture will be an asset.

Teaching format

The course is structured around lectures, film screenings, and the development of an individual project. Students will receive regular one-to-one tutoring focused on the progression of their screenplay. Collective sessions will alternate between theoretical inputs and discussions, while screenings will support the critical framework of the course. The emphasis is placed on the gradual construction of a personal writing project integrating field research.

Assessment

Continuous assessment based on participation, in-class exercises, and development of a final short screenplay (fiction or documentary) incorporating field research. Final evaluation includes the written project and its presentation. Active engagement throughout the course is required.

The course will be "pass" or "fail". The validation of the course will be based on class participation, timely compliance with deadlines and overall quality of the involvement in the writing assignments.

Workload

Active participation in weekly classes (screenings, lectures, workshops) is required. Students are expected to conduct independent field research, complete reading and viewing assignments, and progressively develop a screenplay (fiction or documentary).

Readings

Main readings 5

  1. Errance, Raymond Depardon

    Borrow

  2. Moviemakers' Master Class Private Lessons from the World's Foremost Directors, Laurent Tirard

    Borrow

  3. Réalité/Fiction. L’empire du faux, François Jost

  4. Threads of time : recollections, Peter Brook

    Borrow

  5. Une certaine tendance du cinéma documentaire, Jean-Louis Comolli

    Borrow

Teaching units

Unit no.Unit type Teaching unitsTeachers Number of hoursCredits
19935Cours séminaire Screenwriting between reality and fiction Sebastiano D'AYALA VALVA202

Teachers

  • Sebastiano D'AYALA VALVA

In the curricula

Contacts and resources

Contact
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