BHUM 16A00 - Contemporary Latin American Identities and Literature
COURSE DESCRIPTION:
This seminar explores and recontextualizes the changing constructions of identity of
contemporary Latino culture from a perspective located outside the geographic context of
Latin America. Our approach prioritizes the notions of movement and subjectivity
expressed in the literary works of Latino canon. Some of the topics addressed in this class
are: exile, diaspora, immigration, construction of memory, cultural and linguistic hybridism
and the neo/postcolonial condition. These themes will be presented within their historic
and geopolitical context as well as in relation to literary genres like, among others, travel
literature, journalistic chronicle, autobiography, family saga, poetry and bildungsroman.
Conceptualization of hybrid and border identities, Spanglish and the limits of
transculturation and the subversion of internal colonialism towards the creation of a new
Latin American identity. Some of the authors we will study are: Reinaldo Arenas, Cristina
García, Junot Díaz, Julia Álvarez, Sandra Cisneros and Gloria Anzaldúa.
DESCRIPTION OF COURSE SESSIONS:
Session 1: Course Introduction What does it mean to be Latino?
Session 2: Latin Intellectuality and Travel: Coney Island José Martí
Session 3: Cuban exile and self-exile: Antes que anochezca Reinaldo Arenas
4. Alvarez, Julia. How the García Girls Lost Their Accents. New York :Plume, 1992.
5. Stavans, Ilan. Spanglish: the making of a new American language. New York :
Rayo, 2004.
6. Juan Flores,“Life off the Hyphen: Latino Literature and Nuyorican Traditions” in
Mambo Montage: The Latinization of New York City. eds. Laó-Montes, Agustín and
Arlene Dávila. New York: Columbia University Press, 2001.
Valeria DEL BARCO
Séminaire
English
Close reading of about twenty pages per week, preparation of discussion questions.
None. All of the texts are available in English, Spanish or, to a lesser extent, French. Class
discussion will be carried out in English. Students may choose a language to submit
written work.
Autumn 2024-2025
GRADING CRITERIA:
1. Attendance and class participation 10%
2. Oral presentation 25%
3. Mid-term essay 30%
4. Final essay 35%
The two-hour weekly sessions will comprise a lecture-style introduction, followed by an
oral presentation/discussion leaders, discussion of the reading and the topics covered.
Martí, José. Coney Island en Crónicas: Antología crítica. Madrid: Alianza Editorial, 1993